Finnish SONS OF AEON (feat. current and former members of GHOST BRIGADE, SWALLOW THE SUN, ENDSTAND and CODE FOR SILENCE) have revealed the first track off their forthcoming ‘selftitled’ Lifeforce Records debut.
Full Track Teaser can be found here: http://youtu.be/edH7P8wVoKM
I always thought the standard band biographies were a waste of time and space so when the time came to write one for Sons Of Aeon I decided to skip it for now and tell you about our band from a little bit different, more personal and hopefully more interesting perspective.
I grew up on nineties death metal. It was interesting to me because that was the era when death metal really started evolving
and bands started showing different colours instead of all just being part of the same grey mass. Seemed like the un-death metal-ish elements fascinated me more than the other, “normal” side.
Edge Of Sanity would write straight up goth hits like ‘Sacrificed’ or ‘Black Tears’ where as bands like Entombed and Xysma discovered a more vintage rock sound and incorporated that into their music.
Carcass released the more commercial, yet soulful Heartwork, At The Gates delivered the goosebump-choruses with ‘Terminal Spirit Disease’. Napalm Death caused some confusion with the brilliant Diatribes and Cathedral…well, they just did what the hell they wanted and released several great albums, ‘Ethereal Mirror’ leading the way.
Bolt Thrower were always true to themselves and their punk-attitude left its mark to this young teenager forever. And even a small detail like the dude from Gorefest wearing a “Fuck Racism” T-shirt in False-era photos made a huge impact on me and my friends. Death metal became more than just brutal music. It literally changed something in us.
Then there was this local band called Paraxism. They were this strange mix of challenging, yet melodic quality death metal spiced with electric violins and a moog. It was something I had never heard before. Their ’93 demo is still the most important extreme metal release for me and played a huge part in my youth.
Come to think of it, it’s actually pretty odd that I never had a band like this before. I played in a stoner rock band for ten years and then we formed Ghost Brigade seven years ago. But I guess it was always in the back of my head, to do something like this one day.
And that “one day” didn’t happen over night, to be able to write and perform this kind of music took us three years. It was almost like learning to play guitar all over again. There were countless moments when I just wanted to give up. Luckily I didn’t
With a few exceptions, I’m not personally interested in today’s extreme metal. I like my metal with nuances and soul. Math-based, vacuum-packed bursts of anger just don’t do the trick for me. I like when the drums are played by a musician and not a computer and albums that sound like they are a result of team work, instead of just being solo efforts of five different musicians. Technical abilities or robot-like preciseness are not a synonyms for quality in my books. And off the record, having famous guest-musicians in your album just for the sake of selling a few more copies is just lame.
Why I am writing this is because on some strange spiritual level, I find similarities between some of the nineties groups and Sons Of Aeon. Just like with these bands, there is something “adventurous” and child-like innocence in us. It’s hard to explain the heart and soul of Sons Of Aeon in few sentences because I feel that the core idea lies more in constant sense of change and exploring, rather than just being a part of a certain genre and settling in. I think that once you hear the album, my words start to make sense. There is everything from old school death metal to chilled out melancholia and from dark hardcore to mid-tempo metal and they’re all equally important parts of what this band is about.
I feel fortunate to be a part of this. Wille/ Sons Of Aeon
SONS OF AEON s/t out
January 18th, 2013 (Germany, Austria, Switzerland, Finland + Digital world wide)
January 21st, 2013 (Rest of Europe)
January 22nd, 2013 (North America)
March 11th, 2013 (Limited vinyl version)